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Theatre ¦ Shakespeare
UNDOING ¦ UNLEARNING ¦ UNBEING
About AfterShakespeare Book Series
It’s not been easy trying to get inside the mind of this most incredible genius of words, yet the journey we started over 16 years ago has been exhilarating, to say the least. Our approach revolves around providing answers:
Taking as a given truth Richard Eyre’s statement that Shakespeare gave us the DNA
of our Theatre, how then can it best be passed down the line to:
a) give new and sustainable life to his own work (phase1)
b) create new work that is inspired, influenced by, or flows out from
the tradition Shakespeare worked in (phase 2)?
We believe our approach of staying faithful to the original works by putting them in a very different setting results in a startling rejuvenation of the text, giving them a whole new life and meaning; reaction from audience members and press give evidence to this. For a selection of Reviews and Audience Feedback quotes from all After Shakespeare productions please click here.
Our intention is to have all eight AfterShakespeare books published in Amazon by the end of 2021.
At the same time, we will be starting the process of getting the same plays into hard copy.
Published in 2020:
Shakespeare's Dream - click here for details and to buy
In the pipeline:
Romeo & Juliet for all Time ¦ King Lear (alone) ¦ Macbeth Killing Time ¦ Tempestfugit: Prosperos's Dream ¦
Ophelia, Princess of Denmark ¦ Time Out of Joint ¦ Cordelia/Fool ¦ An Audience with Sir John Falstaff
Shakespeare's Dream
A troubled Shakespeare has a most disturbing dream; a dream where characters from his family, and from his plays, come to life – can they help him find his true destiny?
Ever imagined what went on inside Shakespeare’s mind . . . Imagine entering, not just someone else’s dream, but the dream of one of the most active and engaging imaginations of all time; Imagine, a night in the life of Shakespeare; a night of dreams, where characters from his real life, and his writing, together come alive; Imagine you are there, sharing Shakespeare’s feelings and thoughts, his anguish and hopes, his delight and wonder.
Shakespeare is under pressure. His next opening night is but days away, and he has yet to finish the script. He’s having problems with his family in Stratford. And he’s also under suspicion of treason . . .
Shakespeare’s Dream introduces the reader to the mesmerizing world of Shakespeare, told as an imagined dream. He retires to bed, to sleep, perchance to… Agitated, and struggling to reconcile life’s demands with artistic desires, an every day Will is haunted by his yet-to-be-born creations, metamorphosing where time & mortality have no boundaries. Stumbling from one dream scene to the next, can he resolve his issues before coming dawn?
Shakespeare’s Dream is a fascinating insight into the workings of the mind of a genius, playing as it does with many of the themes and words of Shakespeare’s plays. Through the dream, we get an understanding of how his real-life issues helped shape his literary creations; in the doing of, we see the man behind the dry perception of ‘the great’ Shakespeare - ultimately, he was a regular human being, just like the rest of us.
For all readers, including those who maybe aren’t too familiar with Shakespeare; and for those who are, it’s a fascinating opportunity to ‘spot’ the real-life and literary characters, as well as enjoy again the many quotes from his plays.
Shakespeare's world, as never told before - a veritable carnival of dream images and Shakespeare quotes, a unique retelling of his life and work.
Grab the opportunity, spend a night with William Shakespeare - and treat yourself to one of the most extraordinary books on Shakespeare ever published.
Selection of quotes from Play Reviews and Audience Feedback; for more please click here
"Overall this is a superb, delightful production." “Shakespeare’s great creations are forever being interpreted from a new angle, transmuted by the light of innovation." “ . . . constitutes the underlying theme of Frank Bramwell’s strongly-researched and excellently presented production, which provokes a plethora of thoughts and dreams.” “An excellent and beautiful setting for an extraordinary and fascinating production.” “Thoroughly enjoyed everything about the performance.” You have inspired my Shakespearean studies.” “Very clever and integrated famous quotes/references well.” “Overall it was a really enjoyable performance and certainly deserves to be seen by a bigger audience”
King Lear (alone)
Nominated for the GM Fringe Best Adaptation Award 2018
Nominated for the GM Fringe Best Spoken Word Award 2018
2018 Greater Manchester Fringe, Edinburgh Fringe
2017 Bristol Shakespeare Festival, Bath Fringe, Oldham, Buxton Festival Fringe
2016 Greater Manchester Fringe, Birmingham, Camden Fringe
2015 Birmingham Fest, Buxton Fringe
Shakespeare’s play, adapted by Edinburgh Fringe award-winning playwright Frank Bramwell. Was Shakespeare right to kill off King Lear at the end of his play? As our starting point we take Kent’s question at the end of the play: “Is this the Promised End?”
Below is a selection of quotes from Reviews and Audience Feedback; for more please click here
"The production gives an insight into the inner thoughts and feelings of King Lear, exploring the role from the perspective of both an audience and an actor and goes into the heart of the character.
" . . . but Young has taken on a great responsibility to perform the grand and complex role at extremely short notice, and to perform alone in an intimate space was highly applauded and clearly respected by every audience member."
"Frank Bramwell directed well using all the space that the Old Joint Stock Theatre provides. Bramwell made excellent use of the dark and eerie atmosphere with slow music as a background to Lear’s speeches throughout the production. General blocking and the ideas behind Lear’s actions were well thought out."
"Bob Young, as Lear, gave a strong and nuanced performance, particularly given that he had to stand in late for the original actor. Being alone contributes to the nihilism, as well as the sense that Lear may be solely responsible for his tragic downfall. King Lear (Alone) gives the audience much to think about, with rich symbolism in an engaging interpretation."
Cordelia / Fool
two sides of the same coin?
Winner of the Birmingham Fest Best Adaptation Award 2018
2018 Bristol Shakespeare Festival, Birmingham Fest, Buxton Fringe
Powerful one-man play, a thought-provoking reworking of King Lear, as told through Cordelia and Fool.
This powerful one-man play is a thought-provoking reworking of the original text to provide a unique insight into the mind of the disturbed King Lear himself.
Traditionally it is thought that the two roles of Cordelia and Fool could have been played by one actor, and this is the contention behind the play. However, more importantly, is the psychological connection between the characters of Lear, Cordelia and Fool – are they, within the context of Shakespeare’s voyage of discovery, all manifestations arising out of the same psychic disturbance?
The play also explores the technique and craft of being an actor, with much of the action taking place within the Tiring House, as well as on the stage where King Lear the play is being performed.
For a selection of quotes from Reviews and Audience Feedback please click here
An Audience with Sir John Falstaff
Falstaff's never-before-revealed true-life story!
2018 Bristol Shakespeare Festival, Birmingham Fest, Buxton Fringe
Falstaff, as big as life, revealing all, telling it as it should have been told!
Falstaff regales us with his true-life story - and his never before revealed relationship with William Shakespeare. The fat knight himself, in the flesh, is here to answer the questions that audiences have long sought to ask!
Falstaff is here to tell us the real truth about his life as one of Literature's biggest characters, also his fractured relationship with his one-time mucker William Shakespeare. As well as regaling the audience with anecdotes and larger-than-life stories, he has, at last, a chance to tell it all, from his point of view. Quotes from Shakespeare’s plays are used, as well as Falstaff’s very own words.
Both the comic and tragic sides to Falstaff’s life are laid bare before the public, in the course of which we get to understand something about how Shakespeare’s possibly greatest character became a literary giant.
For a selection of quotes from Reviews and Audience Feedback please click here
Romeo & Juliet for all Time
Winner of the Hairline Best Play Award 2004
Nominated for the Buxton Fringe Best New Writing Award 2004
2012 Old Joint Stock Theatre
2004 Edinburgh Fringe Festival, Buxton Fringe Festival, Birmingham Fringe Festival
Romeo & Juliet For all Time-a sequel to the original tragedy, and its performances in Buxton Festival Fringe earned it a nomination of Best Writing Award. Next, the Edinburgh Festival Fringe, with 2 four-star reviews and then a Hairline Highlight Award for being one of the top ten plays that stood head and shoulders above other reviewed plays. Revived at the Old Joint Stock Theatre Birmingham July 2012.
Below is a selection of quotes from Reviews and Audience Feedback; for more please click here
"The playwright, Frank Bramwell, has struck on a very clever idea and created an intelligently written play which luckily never slips into an English Literature style discussion. An amusing and moving performance."
"I don't think I've ever seen such raw energy and physical commitment in a Fringe performance the audience loved them and showed it enthusiastically at the close."
"This was a complex and very clever new look at the play. Take your sharpest wits with you, and listen carefully, but also be prepared to be carried along by the pace, skill and style of the presentation."
"Its very rare for our staff to be so united in their glowing praise of a Fringe Show but all those who saw it were stunned, and everyone unable to make it this time was very disappointed to have missed out. James, the venue manager, genuinely rated your show among the top six Fringe shows he has seen in his decade working at the Festival. An outstanding show, overall it was both a pleasure and an honour to have Romeo & Juliet For All Time in our venue."
Ophelia, Princess of Denmark
2012 Old Joint Stock Theatre
Ophelia, Princess of Denmark-Ophelia is mad. And dead. And trapped in time with Hamlet and Claudius, who seem to have a little problem re-adjusting to their changed circumstances. A play that re-examines the themes and issues that Shakepeare raised in his original play - and some that he didn't.
Below is a selection of quotes from Reviews and Audience Feedback; for more please click here
“It stands as an imaginative, fairly free-wheeling response to the original, in which the delight exists in the exploration itself and in the spirit of invention.”
“The relationships between Hamlet, Ophelia, Claudius and others, various, are taken apart and differently examined; the play put me in mind of the mathematical discipline of permutations and combinations. Debates within the play are both serious and playful.”
“Sharp performances from the three actors. Rebecca Rogers creates with great naturalness; Ben Norris’s Hamlet has great charm.”
Tempest Fugit / Prospero's Will
2006 Greenwich Playhouse, London
Tempest fugit:Prospero's Will-based on The Tempest, the third in the line of Frank Bramwells specially written plays to re-energise Shakespeares plays. Prospero is marooned on the magical Island, and is soon joined by Caliban, Ariel, Miranda and Ferdinand, there follows a deep exploration of the original plays inner workings as we go through Prosperos mind.
Below is a selection of quotes from Reviews and Audience Feedback; for more please click here
"Very imaginative idea! I was very impressed with this performance."
"All of the performances were excellent."
"Congratulations on a most imaginative production with excellent performances by the cast. Bring more of these ideas to Greenwich or, at least, to London."
"Well worth catching, an absolute gem! The time certainly flew by!"
". . . when it comes to Shakespeare "re-written" I get very sceptical. But I was proven wrong as Heart Productions pulled out all the stops and the audience was treated to a delicious journey through Prospero's messed-up mind."
“I went to see this play not knowing what to expect, and I was most impressed with everything I saw. As well as committed, talented actors, all aspects of the production greatly added to the whole evening's entertainment.
"The play itself is a wonderful re-exploration of Shakespeare's original, from a totally different perspective."
Macbeth Killing Time
2005 Edinburgh Fringe Festival
Macbeth Killing Time-is in the same mould as Romeo and Juliet For all Time - this time Macbeth, who has been waiting for 400 years, is tried for the crimes of the original tragedy by two jobbing Angels, Kramm and Delos. The plays were awarded three and four stars by reviewers.
Below is a selection of quotes from Reviews and Audience Feedback; for more please click here
". . . a strong piece of Theatre. The mix of the Bards script and Frank Bramwells words works well here and is helped by the enthusiastic actors."
"Frank Bramwell's play, however, is that very rare bird, a genuinely unusual take on the play, which remains true to the spirit (and the words) of the original whilst making us question our assumptions about it."
"It's a very original and clever piece of work . . . very compelling and, at times, even amusing . . "
“Excellent, evocative, emotional, real, entertaining!”
“This production was not as expected, not dreary Shakespeare but a fine twist by Bramwell. Excellent production for the fringe.”
“ . . . a beautiful play, beautifully performed.”
AFTER SHAKESPEARE: the Man
Time Out of Joint
2009 Edinburgh Fringe Festival
Will Shakespeare is alone, desperately trying to finalise the script of Hamlet. During the long night-time hours he has two female visitors; one is the Dark Lady of his sonnets, the other is a 'mere milkmaind' who was his first ever love. These muses provide him with rather more dramatic inspiration than he bargains for . . .
Below is a selection of quotes from Reviews and Audience Feedback; for more please click here
"What this play is very good at doing is raising an intrigued eyebrow. It constantly suggests possible inspirations for moments of Shakespeare's plots (I think all from 'Hamlet') and even certain turns of phrase."
"If you want to get an inside look at the trouble and turmoil swirling around in William Shakespeare’s head, look no further than the brilliantly conceived Time out of Joint premiering at the Edinburgh Festival."
"An absolute must-see for any Shakespeare fan or writer who’s ever had an encounter with writer’s block"
About the Author Frank Bramwell
Frank Bramwell is a writer who runs his own theatre company, inamoment, and lives in Stafford with his wife. 2020 will see the launch of two playbooks, Shakespeare's Dream and Romeo & Juliet For All Time, based on his first two 'Shakespeare Revisited', plays which were big hits with audience members and reviewers when performed.
Frank's fascination is exploring and understanding the genius of Shakespeare. His belief is that staying faithful to his original works, but putting them into a very different setting, results in a startling rejuvenation of the text, giving them a whole new life and meaning.
We will soon be turning our attention to producing a series of ‘pocket size’ versions of the original Shakespeare plays; the events of the original plays, seen through the words of the key characters, modified to fit with the sensibilities of modern day audiences, as alternative takes on the original plays.
We are starting the series with the writing of Lear: Inside Out and we will update the website once the play is ready for performance and for publication.
AFTER SHAKESPEARE: the Plays Inside Out
AFTER SHAKESPEARE: the Plays Retold
Our latest venture is a retelling of the original plays by adding to the original script a newly written central Narrative voice; we believe this will not only add another dimension but also give modern audiences more accessibility to them.
A Midsummer Night's Dream is the first to be worked on in this fashion. The introduction of a Narative voice in the play allows us to perfom the piece as a Radio play within a Theatre setting. This same device also lends itself to the play being produced as a stand alone book.